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Review Summary
2024-10-30T08:52:54
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Josh B.
2024-08-20T08:21:54
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Josh B.
2024-07-12T09:36:52
Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.
NICHOLAS M.
2024-02-07T02:03:00
This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens
DASHAWN S.
2024-01-03T05:11:51
I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!
SCOTT B.
2023-12-29T10:25:41
As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out. In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.
Nick S.
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Browse our FAQ
L Mount
T1.9-T22, T2.4-T22
10
46mm
Focus: 0.8 MOD / 32 Pitch
300 degree
3.15" (80mm)
5 Lens Set
1.92 lbs (875g) Each
6972949377953
Models | SKU: IANICATHKITL MFR: NIC-ATH-KIT-L $5,999.00 Special Order Generally ships in 7-14 days, subject to availability | SKU: IANIC18PL MFR: NIC-AUREUS-18PL $2,599.00 In Stock | SKU: IANICATHTND5 MFR: NIC-ATHTUNED-5KIT-PL $7,199.00 Ships from Manufacturer Usually ships within 2-4 Days. Please note: Your card will be charged when order is submitted to the vendor (usually within 24 hours). |
---|---|---|---|
Special Features | Includes Filter Holder | - | - |
Kit Style | 14, 25, 35, 50, 85mm Set | Base | 14, 25, 35, 50 & 85mm Set |
Format | Full Frame | Full Frame | Full Frame |
Lens Type | Multiple | Ultra-Wide Angle | Multiple |
Fixed Focal Length | Set | 18mm | Kits |
Lens Mount | L Mount | PL Mount | PL Mount |
Maximum Aperture | T1.9, T2.4 | T1.4 | T1.9 & T2.4 |
Zoom Focal Length | NA | NA | NA |
Great lens + great price = happy customer!
By Josh B.
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Great quality lens
By Josh B.
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Enhance your filmmaking and cinematography prowess with the NiSi ATHENA PRIME Full Frame Cinema Lens Kit, a quintessential collection of five high-quality lenses engineered for the discerning professional. This comprehensive kit includes focal lengths from the ultra-wide 14mm T2.4 to the classic portrait 85mm T1.9, ensuring coverage for a vast array of shooting scenarios, from expansive landscapes to intimate close-ups.
Crafted with precision, the ATHENA PRIME lenses boast superior micro-contrast control and minimal chromatic aberration, delivering images with exceptional clarity and detail. The fast apertures of T1.9 across the 25mm, 35mm, 50mm, and 85mm lenses, paired with the T2.4 at 14mm, allow for remarkable performance in low-light conditions and the creation of cinematic shallow depth of field effects.
The innovative design of these lenses significantly reduces focus breathing, providing a consistent field of view when shifting focus, which is essential for maintaining the visual integrity of your shots. Uniformity is a key feature of the ATHENA PRIME series, with all lenses sharing consistent weight and dimensions, facilitating seamless transitions and eliminating the need for gimbal rebalancing when changing lenses during a shoot.
Equipped with a 77mm filter thread on all but the 14mm lens, the ATHENA PRIME kit simplifies the use of filters and other lens accessories, enhancing creative flexibility. The focus rings feature a generous 300-degree rotation with fluorescent focal scales, offering filmmakers precise and effortless focus control for critical sharpness in every scene.
The NiSi ATHENA PRIME Full Frame Cinema Lens Kit is not only versatile and of the highest quality but also provides unparalleled image quality and creative control. With its robust construction and thoughtful design, this lens kit stands as an indispensable tool for filmmakers aiming to capture their vision with professional-grade equipment compatible with Leica L mount cameras.
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