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Review Summary
2023-11-11T06:37:39
Moab should study the texture and feel of great darkroom baryta paper, such as Agfa Warmtone and Agfa. This stuff is nice, but a little flatter and more matte than it should be. A bit more gloss is needed.
Andrew H.
2020-03-20T12:34:58
This is one of my favorite fine art papers because it works well for black & white, color and especially my infrared work with its icy blue tones. I like the firm weight for easy mounting, the durability and overall professional look and feel of the paper.
BETH T.
2019-04-07T11:40:46
Great product ! Super easy to navigate and fast delivery!
Victoria R.
2019-01-17T13:24:58
Great quality paper with qualities similar to a semi-gloss double weight fiber paper you'd use in a wet darkroom, though a bit heavier than that. Importantly for me is the size -- 11x14. No more trimming 11x17 sheets down! Thank you Moab for making this traditional size available in a premium paper.
Mark M.
2018-05-01T15:00:11
I have used Museo Papers for years and continue to do so but Moab's Juniper is only slightly different in its image portrayal but with a gentle tooth. It is also less expensive. I now use them interchangeably and plan to continue doing that while watching to see if either holds its print better than the other over time.
JOHN D.
2018-03-27T09:07:46
I just love the beautiful tones in this paper...makes me want to print everything on it....gorgeous colors....
BARBARA B.
2017-10-31T16:24:57
Excellent blacks and great color rendition, this paper is substantial to the touch and produces very good color depth. I use a Canon Pixma Pro-100 have excellent results
Thomas W.
2017-05-26T12:12:59
I really like this paper because of the textured glossy surface. It is not a high gloss, but rather more of a textured semi-gloss. It also has a somewhat textured back and feels like a fine art paper. This is a baryta paper and has no optical brighteners. It appears to hold blacks very well and I think that the detail is as good as other glossy papers. I prefer this to some of the other satin or silk papers because of the textured surface and backing.
Robert G.
2017-03-02T07:09:09
Moved from Museo Silver Rag to Moab Juniper Baryta. They are both wonderful and I often use them both.
JOHN D.
2016-07-07T13:00:17
This is a paper to hold in your hands (after printed) as well as look at. It has the reflections and fine color detail of a good semigloss (Red River Ultra Pro Satin, Canon SG-201), but is thicker, stiffer, less white (slightly ivory), and more textured. When printed with my dye Canon Pro-100, the ink feels like a layer of thin latex roughened by the texture of the paper. A standard semigloss is smooth and bright white and something to look at but not to touch. I am printing images to frame (for gifts and self) using semigloss, images to touch with this and a natural matte very similar to Moab Entrada. Most images are forests, rocks, flowing water, and flowers preferably all together!
Steven P.
2016-04-12T06:11:33
This is one of the best paper, I ever used. It allows you to use in both color or black and white prints. Additionally the paper is thick enough to handle confidently without break or wrinkle it.
Giovani F.
2016-02-05T10:50:42
Great paper for both color and black & white! Nice sharpness and thick stock is great for folios and albums. Watch out for greenish or brownish color casts in your files, they don't print well on this paper. A favorite!
RICHARD S.
100% cotton fiber
305gsm
16 mil (0.41 mm)
Barium sulfate
Glossy
3" / 7.62cm
44" x 50' / 111.76cm x 15.24m
645248333604
One of the best papers I've tried!
By RICHARD S.
Great paper for both color and black & white! Nice sharpness and thick stock is great for folios and albums. Watch out for greenish or brownish color casts in your files, they don't print well on this paper. A favorite!
Alternative to bright luster or semigloss
By Steven P.
This is a paper to hold in your hands (after printed) as well as look at. It has the reflections and fine color detail of a good semigloss (Red River Ultra Pro Satin, Canon SG-201), but is thicker, stiffer, less white (slightly ivory), and more textured. When printed with my dye Canon Pro-100, the ink feels like a layer of thin latex roughened by the texture of the paper. A standard semigloss is smooth and bright white and something to look at but not to touch. I am printing images to frame...
View full Review
Just introduced, the Juniper Baryta Rag 305 by Moab is a premium, 100% cotton, true baryta (barium sulfate) fiber paper, designed to bring the classic charm of traditional darkroom FB-type paper into the digital age. This high-quality, double weight coated inkjet fine art paper is engineered to hold intricate details in the deep blacks of shadow regions, while simultaneously producing natural white highlights.
The paper's glossy surface texture, reminiscent of a gentle tooth, enhances the richness and vibrancy of colors, making it an ideal choice for fine art printing and professional photography applications. This unique texture not only adds a touch of elegance to your prints but also provides a perfect balance between texture and print quality.
Inspired by the fibrous Juniper Tree that adds detail, color, and contrast to the majestic buttes and mesas of Canyonlands, Moab's Juniper Baryta Rag 305 is a testament to the brand's commitment to innovation and quality. This new addition expands the range of Moab's renowned 100% cotton papers made in the USA, like the highly acclaimed Entrada Rag family, offering more versatility and options for artists and photographers alike.
Experience the fusion of old-world charm and state-of-the-art coating technology with the Juniper Baryta Rag 305, and elevate your fine art printing to new heights.