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Review Summary
2022-06-20T20:00:00
I run a video production company focusing on creative arts and events. We shoot a wide range of music videos, live concerts, live-streaming, and some doc work. After getting started with Canon in the 5Dii generation, I've stuck with them through the years, adding 5Diii's, C100 mkII's, C200's, a C70, and our newest addition of 3 XF605's. It's one thing to shoot a doc or narrative with a cinema camera -- when you have time to truly compose the shot - including trying different lenses, adding filters, adjusting lights, etc, the C series has an intuitive feel and exceptional image quality. However these quickly lose their edge when switching to event or live-streaming duties -- changing lenses, attempting to pull focus and zoom, and ultimately having to rely more on touchscreen menus makes it tougher to make C series cameras provide good results. At first I scratched my head as to why I was 'regressing' to research at "old school" camcorders - but that didn't last long. The XF605 came out and was surprisingly affordable, had amazing 10 bit image quality, excellent optics and low light performance, and Canon's newest (and arguably best AF system. AF is a naughty world in the 'cinema' world, for obvious reasons, but in the event world, it's a game changer. For the 5% I feel like I've "lost" in image quality from my C70 (shooting 4K, 10 bit), I've gained 100% in low-light performance, efficient workflow, silky smooth zooms and a form factor that makes it simple to pull the camera out of the bag and get solid results -- time after time. I just recently shot and live-streamed a three-day music festival with a fleet of static C-series cameras, two PTZ's, a C70 as a master shot and the three XF605's as roaming cameras. The results were spectacular. The artists were extremely pleased with the quality, and the ease of use made the investment worth every penny. if you're shooting events, this camcorder is a beast. No, it's not a cinema camera.... but it has the image quality and low light performance, and delivers all the features you need for live shows and events.
Gadgetbox
2022-06-10T20:00:00
I head up a wildlife film crew and this is our primary camera, in front of an R and XC15. It replaces an xf400, which was really good in its own right. This is a drastic increase in quality for us. Stand out features are endless. The zoom rocker mechanism is exquisitely smooth. The function and status controls make operating the camera so easy regardless of how customizable it is. CLog3 to rec709 conversion never fails to exceed my expectations. Snap on the old trusty 58 mm 500D although unsupported, autofocus works perfectly through the entire zoom range. Snap on a Raynox HP 9000EX and you've got 688 mm of jaw dropping zoom. The camera is surprisingly light and has a very long lasting battery. Freedom to stop the aperture beyond F11. Built-in time code. Unmatched focus accuracy and flexibility. Tons of button customization options. Camera remote allows touchless control at full zoom, so absolutely no camera motion. I always dreamed of owning the XF705, but it was too expensive for our small film crew. Then this came out :-)). Check out samples on our website using my handle. The lichen video close ups we're all recorded with this camera.
DallasNatureChannel
2021-08-19T20:00:00
it was too expensive pretty alright could be better
bob3
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4K Ultra High Definition
14.4 V DC (battery pack), 24 V DC (DC IN)
XF-AVC
Compression: MPEG-4 AVC/H.264
Color Sampling: 4:2:2 10-bit
File Format: MXF
Recording Modes:
Resolution: 3840x2160 (YCC422 10-bit)
260 Mbps Long GOP (59.94P/50.00P)
410 Mbps Intra-frame (29.97P/25.00P/23.98P)
160 Mbps Long GOP (29.97P/25.00P/23.98P)
Resolution: 1920x1080 (YCC422 10-bit)
310 Mbps Intra-frame (59.94P/50.00P)
160 Mbps Intra-frame (29.97P/25.00P/23.98P/59.94i/50.00i)
50 Mbps Long GOP (59.94P/50.00P/29.97P/25.00P/23.98P/59.94i/50.00i)
Resolution: 1280x720 (YCC422 10-bit)
24 Mbps Long GOP (59.94P/50.00P)
MP4
Compression: MP4 (HEVC): H.265/HEVC, MP4 (H.264): MPEG-4 AVC/H.264
Color Sampling:
MP4 (HEVC): YCC422 10-bit/YCC420 10-bit
MP4 (H.264): YCC420 8-bit
File Format: MP4
Linear PCM: 24-bit / 48 kHz / 4-channel (XF-AVC)
Linear PCM: 16-bit / 48 kHz / 4-channel (MP4)
MPEG-2 AAC LC 16-bit / 48 kHz / 2-channel (MP4)
1" CMOS Sensor
Approx. 13.4 megapixels (4268x3148)
Approx. 8.29 megapixels (3840x2160)
Canon 15x Zoom, 8.3-124.5mm (35mm equivalent 25.5-382.5mm), f/2.8-4.5
Dual Pixel CMOS AF w/Eye Detection
Yes
1/2000
10mm at wide end, 60cm across entire zooming range
Auto, Preset (Daylight, Tungsten), Color Temperature Settings (2,000-15,000K), Set (1/2)
60p, 30p, 24p
Approx. 1.5 lux (with 1/30 sec. shutter speed, 29.97P)
Yes
Yes
Optical system (lens shift) + electronic stabilization (Image rotation and camera movements in the yaw and pitch directions are electronically corrected.)
Modes: Dynamic IS, Powered IS, Standard IS, IS Off
58mm
0.36" color OLED display, approx. 1.77 million dots, approx. 100% field of view
3.5" LCD, (Approx. 2.76 million dots)
Stereo (using electret condenser microphone)
SD card [x2] (SD/SDHC/SDXC)
Type-C, SuperSpeed USB (USB 3.2 gen 1x1) supported, PTP class supported, UVC Supported
Type-A, USB HOST supported (max. voltage: 5V / max. output current: 900 mA)
HDMI connector, 12G-SDI terminal
3.5mm stereo mini-jack, XLR 3-pin jack (two channels)
HDMI connector (Type A)
3.5mm stereo mini-jack
For Performance: Approx. 0-40 Degree C, 85% (relative humidity)
For Operation: Approx. -5-45 Degree C, 60% (relative humidity)
Terminal Yes
Ethernet connector (RJ-45) (supports 1000BASE-T)
required, included
lithium ion
1
Approx. 6.6 x 6.8 x 13.1" (168 x 173 x 333mm) (Body only, excluding grip belt)
Approx. 7.9 x 8.6 x 15.2" (200 x 219 x 385mm) (Including lens hood, eyecup and mic holder unit)
Approx. 4.4 lbs (2.01kg)
(including grip belt; excluding hood, mic holder unit, eyecup, battery)
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Hits the sweet spot of image quality, feature set, ease of use & price
By Gadgetbox
I run a video production company focusing on creative arts and events. We shoot a wide range of music videos, live concerts, live-streaming, and some doc work. After getting started with Canon in the 5Dii generation, I've stuck with them through the years, adding 5Diii's, C100 mkII's, C200's, a C70, and our newest addition of 3 XF605's. It's one thing to shoot a doc or narrative with a cinema camera -- when you have time to truly compose the shot - including trying different lenses, addi...
View full Review
Best camera purchase ever
By DallasNatureChannel
I head up a wildlife film crew and this is our primary camera, in front of an R and XC15. It replaces an xf400, which was really good in its own right. This is a drastic increase in quality for us. Stand out features are endless. The zoom rocker mechanism is exquisitely smooth. The function and status controls make operating the camera so easy regardless of how customizable it is. CLog3 to rec709 conversion never fails to exceed my expectations. Snap on the old trusty 58 mm 500D although...
View full Review
• 1.0-inch 4K UHD CMOS Sensor
• 15x Optical 4K UHD L Zoom Lens with 5-Axis Optical Image Stabilization
• 5-Axis Optical Image Stabilization
• 9-blade Iris
• Independent 3-Density ND Filter
• 4K UHD 59.94P 4:2:2 10-bit Recording
• Optional Wide and Tele Accessories
• DIGIC DV 7 Image Processor
• HDR Recording with HLG/PQ Shooting Assist
• Canon Log 3
• Wide DR Gamma (800%) Support
• Dual SD Card Slots
• Slow and Fast Motion Recording up to 120fps
• Dual Pixel CMOS AF, Eye Detection AF, EOS iTR AF X, Dual Pixel Focus Guide
• Direct Touch Control
• UVC Support (USB Video Class)
• Look File for Recording (User LUT)
• High Sensitivity Mode
• 3.5-inch Rotating Touch Panel LCD and .36-inch OLED Electronic Viewfinder
• 12G-SDI, Genlock, Time Code, and Other Terminals
• Flexible Audio Inputs with Linear PCM 4-channel Support
• Multi Function Shoe
• Live IP Streaming
• RC-V100 Remote Controller Support
• Compact, Lightweight and Ergonomic Design
• New CTM (Content Transfer Mobile) iPhone Application
• Network Connections for FTP Transfer and Browser Remote (Wired and Wi-Fi Connectivity)