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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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2x SHARC DSP
4
2
8
8
2 (stereo pair, independent L/R mix buses)
2x stereo (independent L/R mix buses)
Up to 8 channels via dual I/O ports with S/MUX
Stereo input, Stereo output
2
2 (via Thunderbolt Option Card) Thunderbolt 2 compatible
Input, Output
44.1, 48, 88.2, 96, 176.4, 192
24
8 Channels
14 Channels
1.1 milliseconds at 96 kHz sample rate
1.1 milliseconds at 96 kHz sample rate (up to four serial UAD plug-ins via Console application)
+48V (switchable per mic input)
-128 dB
5.4 kOhms (variable via Unison preamp plug-ins)
20 dB (switchable per mic input)
-31.1dBV, 23.9 dBV (at Minimum Gain, with Pad)
At Minimum Gain: 10 dBV
At Maximum Gain: -45dBV
Line Inputs 1 - 4: Greater than 60 dB (10' cable)
Microphone Inputs 1 - 4: Greater than 60 dB (10' cable)
Microphone Inputs 1 - 4: +10 dB to +65 dB
Hi-Z Inputs: +10 dB to +65 dB
Line Inputs 1 - 4: +10 dB to +65 dB
18 dBV
-37 dBV
Greater than 60 dB (10' / 3.04m cable)
Hi-Z Inputs: 2.2M Ohms
Line Inputs 1 - 4: 10 kOhms
Line Inputs 5 - 8: 10 kOhms
+4 dBu / -10 dBV (selectable per input)
+4 dBU: 18 dBV
-10dBV: -6 dBV
Line Outputs 1 - 8: 1/4" Female TRS Balanced
Monitor Outputs 1 - 2: 1/4" Female TRS Balanced
Stereo Headphone Outputs 1 & 2: 1/4" Female TRS Stereo (unbalanced)
Line Inputs 5 - 8: 1/4" Female TRS Balanced
Line Inputs 1 - 4: 1/4" Female TRS Balanced
Hi-Z Inputs: 1/4" Female TS Unbalanced
Microphone Inputs 1 - 4: Female XLR Balanced (pin 2 positive)
Line Outputs 1 - 8: 118 dB (A-weighting)
Monitor Outputs 1 - 2: 115 dB (A-weighting)
Stereo Headphone Outputs 1 & 2: 113 dB (A-weighting)
Line Inputs 5 - 8: 117 dB (A-weighting)
Microphone Inputs 1 - 4: 118 dB (A-weighting)
Hi-Z Inputs: 117 dB (A-weighting)
Line Inputs 1 - 4: 117 dB (A-weighting)
Line Outputs 1 - 8: 20 Hz - 20 kHz, +/-0.1 dB
Monitor Outputs 1 - 2: 20 Hz - 20 kHz, +/-0.1 dB
Stereo Headphone Outputs 1 & 2: 20 Hz - 20 kHz, +/-0.1 dB
ANALOG I/O: 20Hz-20kHz, +/-0.1 dB
Line Outputs 1 - 8: 118 dB (A-weighting)
Monitor Outputs 1 - 2: 114 dB (A-weighting)
Stereo Headphone Outputs 1 & 2: 113 dB (A-weighting)
Line Inputs 5 - 8: 117 dB (A-weighting)
Microphone Inputs 1 - 4: 118 dB (A-weighting)
Hi-Z Inputs: 117 dB (A-weighting)
Line Inputs 1 - 4: 117 dB (A-weighting)
Line Outputs 1 - 8: -106 dBFS
Monitor Outputs 1 - 2: -103 dB
Stereo Headphone Outputs 1 & 2: -102 dB
Line Inputs 5 - 8: -107 dBFS
Microphone Inputs 1 - 4: -110 dBFS
Hi-Z Inputs: -103 dB
Line Inputs 1 - 4: -107 dBFS
Line Outputs 1 - 8: +/-0.05 dB
Monitor Outputs 1 - 2: +/-0.05 dB
Line Outputs 1 - 8: Greater than 120 dB
Monitor Outputs 1 - 2: Greater than 120 dB
ANALOG I/O: Greater than 120 dB
Line Outputs 1 - 8: 600 Ohms
Monitor Outputs 1 - 2: 600 Ohms
Line Outputs 1 - 8: 18 dBV
Monitor Outputs 1 - 2: 18 dBV
80 milliwatts into 600 Ohms
Male Phono (RCA)
IEC958
44.1, 48, 88.2, 96, 176.4, 192
Optical TOSLINK JIS F05
ADAT Digital Lightpipe with S/MUX
44.1, 48, 88.2, 96, 176.4, 192
Port 1 = Channels 1 - 8, Port 2 = 1 - 8 (mirrored)
Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
Port 1 = Channels 1 - 2, Port 2 = Channels 3 - 4
BNC
+/-0.5% of any supported sample rate
75 Ohms , switchable
External AC to DC Power Supply
Type IEC Female
100V - 240V AC, 50 - 60 Hz
XLR 4-Pin Locking Male (Neutrik P/N NC4MDM3-H)
12 VDC, +/-5%
50 Watts
32 deg. to 104 deg. Fahrenheit (0 deg. to 40 deg. Celsius)
-40 deg. to 176 deg. Fahrenheit (-40 deg. to 80 deg. Celsius)
10% - 95% Non-Condensing
19 x 12.12/13.5 x 1.75" (48.26 x 30.78/34.29 x 4.44cm)
9.1lbs (4.12kg)
The Universal Audio Apollo Interface with Realtime UAD DUO Processing and Thunderbolt is a 18 x 24 interface allows you to record with near-zero latency through the full range of UAD Powered Plug-Ins ingeniously merging classic analog tones with cutting-edge features.
Class-Leading 24-bit/192 kHz Sound Quality
Designed to play a central role in a modern Mac- or Windows 7-based studio, Apollo incorporates an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo's four premium mic preamps, top-end converters and UA's meticulous attention to circuit design translate into greater accuracy in your recordings, from tracking and overdubbing, to mixing and mastering. In fact, its sound quality is on par with dedicated converters costing thousands more.
Realtime UAD Plug-In Processing for Tracking, Mixing and Mastering
While Apollo's "natural" sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. Apollo's onboard DSP Acceleration allows for recording through UAD Powered Plug-Ins with as low as sub-2ms latency so that producers can quickly monitor, audition and "print" audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer and more. Better still, Apollo's Realtime UAD Processing is also available during mixing and mastering, so that music producers can use UAD plug-ins (VST, RTAS, AU, AAX 64) throughout the creative process.
Track Through Classic Mic Preamps Using Unison Technology
Unison technology allows Apollo's mic preamps to sound and behave like the world's most sought-after tube and solid state preamps including their all-important impedance, gain stage "sweet spots," and circuit behaviors. Based on breakthrough integration between Apollo's digitally controlled analog mic preamps and its onboard UAD processing, Unison lets you track through colorful preamp emulations like the bundled UA 610-B Tube Preamp plug-in.
High-speed Thunderbolt Connection toMac
Apollo offers compatibility with Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card. Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates and reduced UAD plug-in latency. Because Thunderbolt offers many times the bandwidth of FireWire, it allows studios to connect numerous devices in series with the Apollo interface including hard drives, processors and additional computer monitors all with fast, flawless performance.
Hardware Design and Workflow
One key feature of Apollo isn't really a "feature" at all. It's the numerous design details that give you a fast, natural workflow and better results. There are physical front-panel controls for all the most commonly used features, including Preamp and Monitor level knobs, channel selection, mic pad and low cut, phantom power and dual headphone outs with independent level control. Smart Hi-Z inputs on the front panel detect when you've connected your guitar or bass and automatically enable hardware and software monitoring.
Console Application and Console Recall Plug-In
The Console application is Apollo's software control interface. Its intuitive, analog console-style design provides "realtime" tracking and monitoring with UAD Powered Plug-Ins a feature not found in any other interface. Complete Apollo Console setups can be saved as presets or even saved within your sessions using the Console Recall plug-in (VST, AU, RTAS, AAX 64). This enables hardware recall of all Apollo settings, even months and years after you last opened session.
Deeper Integration with Pro Tools, Logic, Cubase and More
Apollo's Core Audio and ASIO drivers ensure compatibility with all major DAWs, including Pro Tools, Logic Pro, Cubase and more. The included Console application and companion Console Recall plug-in (VST, AU, RTAS, AAX 64) provide control and recall of all interface and Realtime UAD plug-in settings within your DAW sessions, even months and years later. A new "PT Mode" allows easier insertion of external hardware in Pro Tools and a new Virtual I/O feature allows Realtime UAD Processing of DAW tracks and virtual instruments.