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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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2/3 type 2.2 million pixels, MOS x 3
2/3 type bayonet
1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
NORMAL mode: -3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB
HIGH SENS mode: -6dB, -3dB, 0dB, 3dB, 6dB, 9dB,12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB
Selectable from 30dB, 36dB, 42dB
60i/60p mode: 1/60 (OFF) sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
30p mode: 1/30 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
24p mode: 1/24 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
50i/50p mode: 1/50 (OFF) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
25p mode: 1/25 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec.
60i/60p mode: 1/60.0 sec. to 1/250.0 sec.
30p mode: 1/30.0 sec. to 1/250.0 sec.
24p mode: 1/24.0 sec. to 1/250.0 sec.
50i/50p mode: 1/50.0 sec. to 1/250.0 sec.
25p mode: 1/25.0 sec. to 1/250.0 sec.
60i/60p mode: 1/15 sec., 1/30 sec.
30p mode: 1/15 sec.
24p mode: 1/12 sec.
50i/50p mode: 1/12.5, 1/12.5 sec.
25p mode: 1/12.5 sec.
3.0 deg to 360.0 deg (in 0.5 deg steps, angle display)
NORMAL mode:
F9 (2000 lx, 3200 K, 89.9% reflection, 1080/59.94i)
F10 (2000 lx, 3200 K, 89.9% reflection, 1080/50i)
HIGH SENS mode:
F12 (2000 lx, 3200 K, 89.9% reflection, 1080/59.94i)
F13 (2000 lx, 3200 K, 89.9% reflection, 1080/50i)
Approx. 0.22 lx (HIGH SENS MODE, F1.4, +42dB (S.GAIN))
62dB (standard)
1000 TV or higher (center)
P2 card (for microP2 card: adaptor is required)
1080/59.94i, 1080/23.98psF, 720/59.94p, 480/59.94i, 1080/50i, 720/50p, 576/50i
AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25/AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DVformats switchable
Recording: 1080/59.94i, 1080/29.97pN, 1080/23.98pN, 720/59.94p, 720/29.97pN, 720/23.98pN, 480/59.94i, 480/29.97p, 1080/50i, 1080/25pN, 720/50p, 720/25pN, 576/50i, 576/25p
AVC-Intra100/AVC-LongG50/AVC-LongG25/AVC-LongG12
DVCPRO HD: Y: 74.1758MHz, PB/PR: 37.0879MHz (59.94Hz)
Y: 74.2500MHz, PB/PR: 37.1250MHz (50Hz)
DVCPRO50: Y: 13.5MHz, PB/PR:6.75MHz
DVCPRO: Y: 13.5MHz, PB/PR: 3.375MHz
AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25:10 bit
AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV:8 bit
AVC-Intra100/AVC-Intra50: MPEG-4 AVC/H.264 Intra Profile
AVC-LongG50/AVC-LongG25/AVC-LongG12: MPEG-4 AVC/H.264
DVCPRO HD/DVCPRO50/DVCPRO: DV-Based Compression
DV: DV Compression
AVC-Intra100/AVC-Intra50: 48kHz/16 bit, 4CH and 48kHz/24 bit, 4CH switch
AVC-LongG50/AVC-LongG25: 48kHz/24 bit, 4CH
AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV: 48kHz/16 bit, 4CH
18dB/20dB (switchable with menu)
H.264/AVC Baseline Profile, H.264/AVC High Profile
AAC-LC, Linear PCM
AVC-G6 2CH MOV: Approx. 13 min.
SHQ 2CH MOV: Approx. 25 min.
HQ 2CH MOV: Approx. 78 min.
LOW 2CH MOV: Approx. 135 min
1x BNC
1.5G HD SDI: 0.8 V [p-p], 75Ohms
SD SDI: 0.8 V [p-p], 75ohms
1x BNC
1.5G HD SDI: 0.8 V [p-p], 75Ohms
SD SDI: 0.8 V [p-p], 75Ohms
Composite: 1.0 V [p-p], 75Ohms
HDMIx1 (HDMI type A terminal, not compatible with VIERA Link)
2x XLR (3 pin)
LINE/MIC (switch selection)
LINE: 0dBu
MIC: -50dBu/-60dBu (menu selection), +48 V ON/OFF (switch selection)
1x XLR (3 pin)
+48 V supported (selectable menu)
-40dBu/-50dBu/-60dBu (selectable menu)
25 pin, D-SUB, -40dBu, 2CH supported
2x Pin jack (CH1, CH2), Output level: 600Ohms, 316mV
1x 3.5 mm diameter stereo mini jack
1x 20 mm diameter, round
1x BNC, 1.0 V [p-p], 75Ohms
1x BNC, IN/OUT switch selection
IN: 0.5 V [p-p] to 8 V [p-p], 10 kOhms
OUT: 2.0 +/-0.5 V [p-p], Low impedance
1x XLR, 4 pin, DC 12 V (DC 11.0 V to 17.0 V)
4 pin, DC 12 V (DC 11.0 V to 17.0 V), maximum output current 1.5 A
10 pin
12 pin
20 pin
100BASE-TX/10BASE-T
Type A connector, 4 pin
Type B connector, 4 pin
Type A connector, 4 pin (exclusively for wireless module AJ-WM30)
DC 12 V (11.0 V to 17.0 V)
22 W (when the optional board AG-YA600G is installed)
0 to 40 deg. C / 32 to 104 deg. F
10% to 85% (relative humidity)
-20 to 60 deg. C / -4 to 140 deg. F
Body only, excluding protrusion: 144 x 267 x 350mm / 5.67 x 10.51 x 13.78"
2.8kg / 6.17lbs (body only, excluding the battery and accessories)
The world's lightest 2/3 type shoulder-type HD camera-recorder with three image sensors revolutionizes news gathering with high mobility, superb picture quality and network functions.
The AJ-PX800G is a new-generation camera-recorder for news gathering. It is network connectable and provides superb picture quality, high mobility and excellent cost performance. Weighing only about 2.8 kg (main unit), the AJ-PX800G is the world's lightest shoulder-type camera-recorder equipped with three MOS image sensors for broadcasting applications. It also supports AVC-ULTRA multi-codec recording. The picture quality and recorded data rate can be selected from one of the AVC-ULTRA family of codec's (AVC-Intra/AVC-LongG) according to the application. Along with a Low-rate AVC-Proxy dual-codec recording ideal for network-based operation and off-line editing.
Built-in network functions support wired LAN, wireless LAN and 4G/LTE network connections, enabling on-site preview, uploading data to a server and streaming. The AJ-PX800G is a single-package solution for virtually all broadcasting needs.
Acquisition: Automatic Uploading
Recorded clips (proxy or actual files) are uploaded directly from the AJ-PX800G to a network. The new Rec During Upload function automatically uploads files to a network server in the background while recording.
Full-HD Streaming
On-air streaming (via the internet) is possible while recording mainstream video onto a memory card, using only the AJ-PX800G. This QoS (Quality of service) mode allows proxy images in Full-HD resolution to be streamed at a low bit rate by optimizing the bit rate to match the network condition.
Preview and Remote
Wireless connection is supported via a wireless LAN. Clips recorded by a PC/Mac, tablet device or smartphone can be previewed and metadata can be checked and edited. P2 ROP App for iPad is also provided for multifunctional camera remote operation. Cloud Solution Even smoother operation is possible by using a cloud service. Proxy files that are automatically uploaded to a cloud server can be edited (remote playlist editing) from a network and only the necessary data can be sent from the AJ-PX800G to an ingest server.
P2 Cast
P2 Cast is the cloud service Panasonic provides for broadcast and production use.
Ultra-light weight
The AJ-PX800G offers high mobility thanks to the world's lightest weight. The camera section features three sensors and provides high picture quality and advanced functions to respond to broadcasting needs.
The 2/3 type Shoulder-type Model
The AJ-PX800G is the world's lightest in its class at approximately 2.8 kg (6.2 lb) for the main unit. This compact body provides superb mobility. It is also designed with excellent forward visibility.
2/3 type Interchangeable Lenses
The 2/3 type bayonet mount interchangeable lens system lets you choose from a variety of 2/3 type zoom lenses for broadcasting and other professional uses from third-party manufacturers. Select the lens type and performance level that meets your needs
High Sensitivity and Low Noise with 2/3 type 3MOS Image Sensors
The 2.2 megapixel 2/3 type 3MOS (RGB) image sensors offer full-pixel HD (1920 x 1080) resolution, F12 (59.94 Hz) or F13 (50 Hz) sensitivity and low noise with an S/N of 62 dB. It also achieves rich gradation and vibrant color reproduction.
High-Quality Image Processing and Versatile Image Settings
CAC (Chromatic Aberration Compensation)
DRS (Dynamic Range Stretcher)
Advanced Flash Band Compensation (FBC)
Gamma
Digital image settings
Professional Shooting Functions
Scan Reverse: Displays/records images in vertically or horizontally inverted orientation.
Digital Zoom: 2x/4x digital zoom.
Shutter: Slow shutter, synchro scan function.
Optical ND Filters: Four-position (CLEAR, 1/4 ND, 1/16 ND, 1/64 ND).
Versatile Shooting Assist Functions
User Interface SmartUI": User Interface consists of a LCD display and multiple switches. Multiple function can be set easily with minimum operation.
Focus Assist: EXPAND" for center zoomed image and Focus-in-Red" can be displayed on viewfinder.
Focus Bar: Focus level shown as bar.
Scene Files/User Files
Gain: Three-position gain selector with a maximum gain value of +42 dB. (Super gain)
User Buttons: Frequently used functions can be assigned to the User buttons.
Shockless White Balance: To enable smooth White Balance mode switching.
AWB: Auto White Balance with auto tracking white function.
Audio input level adjustment (front) can be switched on/off and allocated to desired channels.
WFM/ Vectorscope: Simplified waveform and vectorscope display.
Zebra: Select any two levels from 0% to 109% in 1% steps.
Mode check: Displays a list of the camera settings.
Y-GET: Measures brightness at center and displays numerical data.
The optional CVF15G Color HD Viewfinder, when opened, serves as an LCD monitor.
Marker Display: Displays a center marker, safety zone marker and frame marker.
Ultra-high quantity
The recorder section offers AVC-ULTRA multi-codec recording capability and 2 slots for P2 cards.
AVC-ULTRA Codec Supported as Standard
From mastering to streaming, the image quality and bit rate can be selected to match the application. Panasonic's professional A/V codec family, AVC-ULTRA, is provided as standard to meet the particular needs of broadcasting and video production.
AVC-Intra
An intra-frame compression method that is highly suited to image production, AVC-Intra100/50.
AVC-LongG
An inter-frame compression method that achieves high-quality HD recording at a low bit rate. Ideal for providing on-air content direct from the shooting location and for workflows using content transferred over the internet. Three bit rates are available: AVC-LongG50/25/12 Mbps. AVC-LongG25 provide 10 bit/4:2:2 quality at a bit rate of approximately 25 Mbps.
AVC Proxy
Low-bit-rate, high-resolution, high-sound quality proxy video (Quick Time/H.264) is also recorded with the actual data. Also includes metadata for efficient offline editing.
HD/SD Multi Format/Multi Codec
The AJ-PX800G supports 59.94 Hz/50 Hz switching for convenient use in productions headed for global use and records 1080/60i, 50i, 24p, 25p, 30p and 720p HD/SD multiple format. DVCPRO HD/DVCPRO50/DVCPRO/DV recording is also supported.
High-Quality 24 Bit Four Channel Audio Recording
AVC-Intra and AVC-LongG modes support 24bit/48kHz/4CH digital audio recording. Audio source for each channel can be selected for each channel, choosing from mic-in, line-in and wireless receiver.
Two Slots for Versatile Recording Option
Using Memory Card Adapter AJ-P2AD1G, microP2 card can be used.
Simul Rec: Records simultaneously onto two P2 cards.
Dual-codec recording: Records a low-rate AVC-Proxy file while recording main data in AVC-Intra/AVC-LongG.
Hot-Swap Rec: Thanks to the two card slots, you can hot-swap P2 cards for continuous non-stop recording.
One-Clip rec mode: Records up to 99 consecutive cuts as a single clip.
Loop rec: Repeatedly re-records while maintaining a recording of the most recent, pre-determined period.
Pre-rec: Continuously stores footage prior to pressing Rec Start for recovery if desired.
Interval rec: Automatically records intermittently based on a set interval and recording time.
One-shot rec: A frame-shot recording function useful for producing animations.
Text Memo: Up to 100 memos can be posted onto a clip as bookmarks.
Shot Marker: Used to mark clips as OK, NG, etc.
Metadata: Data with information such as operator's name, shooting location and text memos can be added via an SD memory card.
Rec Check: This lets you run a quick playback check of the clip-end you have just recorded.
Ultra-high Speed
Network connectivity achieves a faster news workflow. It supports wired LAN, wireless LAN and 4G/LTE networks.
Wired/Wireless LAN, 4G/LTE Network Functions
The standard LAN (Ethernet) port allows network connection via a wired LAN. When the optional AJ-WM30 Wireless Module is installed, the AJ-PX800G gains wireless LAN (IEEE 802.11g/n) connectivity, enabling access to the following functions from a network-connected PC/Mac, tablet device or smartphone. 4G/LTE connection is also possible.
Proxy Preview
Camera Remote
Playlist Editing
File Transfer
Full-HD Streaming Supported
Full-HD (1920 x 1080) proxy video can be streamed via a network connection (wired LAN, wireless LAN, 4G/LTE network) while recording mainstream video onto a memory card. The video can be received and playback on a PC or Mac.
Transferring Recorded Clips Automatically: Rec During Uploading Function
The Rec during Uploading function, which automatically and sequentially transfers recorded clips to an FTP server or cloud service, has also been newly added. Uploading is done in the background and recording/playback continues during the transfer.
Direct Connection to The LiveU Video Uplink Solution
The AJ-PX800G supports direct connection to the LiveU Central management platform using public networks, such as 4G/LTE, wireless LAN or wired LAN. There is no need for special uplink equipment. This enables both live previews on the reception side and on-air