
See Options
Need help? Ask our experts.
Review Summary
2021-03-19T08:12:51
It is a good paper, and does work well with split grade exposures very well, however the light cream color base tends to give a greyish cast to intermediate highlights.
John M.
2020-12-27T12:54:31
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry needed to use old ferrotyping plates. Great detail in shadows and nice highlights. Response to Ilford contrast filters are as expected. It takes a very mild purple tint with very deep blacks in 1:3 selenium and barely any shift in 1:20 selenium. Without any toning it has a charcoal color with maybe a very slight dark greenish/yellowish tint, but it's subtle. I feel lucky to have access to such an affordable yet high quality darkroom paper.
Julius S.
2020-12-27T12:46:00
The 11x14 FB VC Glossy seems to be dramatically different than the Arista EDU FB VC Glossy in 5x7 and 8x10, both of which have a slightly textured, almost ripply surface which i'd describe as semi-gloss compared to an inkjet glossy paper, however when dried on a ferrotyping surface it does indeed become mirror-smooth. It also has no reflectivity difference between shadows and highlights. The 11x14, however, is far more matte than the smaller sizes, lacking in the rippled, art-paper texture that I love in the 8x10. The 11x14 also has a very major and very noticeable reflectivity difference between the shadows and highlights, with the shadows being much less reflective - it looks like a cheap inkjet without a chroma optimizer. The tonality and exposure times appear, however to be exactly the same as the 8x10 and 5x7 papers, which is great for testing prior to exposing an entire sheet at 11x14. Honestly I would rather spend the extra money and get a different brand than buy another pack of this, as it does not match the look and feel of their smaller sizes of what is supposed to be the same paper. Highly recommend FB VC Glossy in smaller sizes though!!
Julius S.
2020-06-15T18:01:33
I find this fiber base paper to be a very good product for making traditional photographs. So far, the only developer I've used with this paper is Ilford Multigrade, which is an excellent all-around print developer (different developers will produce different results.) The results were prints with excellent details in both highlights and shadow areas; blacks are velvety. Some of the prints were later toned with a Fomatone Sepia kit. I gave each print a light bleach bath followed (after a water wash) with a standard toning bath. After washing the prints, again, they would receive and selenium toning bath in order to further deepen the blacks (1:20 dilution.) All being said, the quality of the photos one gets from this Arista EDU Ultra VC FB or any other paper is determined, ultimately, by the skills of the printer. This paper can respond well with minimum fuss, but, with ambitions on the part of the printer, it can follow those ambitions. I suppose I could have given it five stars, but, when I remember the legendary papers that are no longer made, like Ilford Gallerie and Kodak's Elite and Ektalure, then I get so sad from their absence from the scene. I will be reordering Arista EDU when I need it.
JOHN K.
2019-02-26T10:18:21
Wasn't what I expected. First sheet of paper when to waste because I couldn't tell the difference between the front or back. The quality of paper is good but I do not like the matte finish. I just ordered a pack of 25 of the glossy fiber paper. The photos also came back darker, I wasn't impressed.
Audris V.
Negative
Fiber Base / Double Weight
Semi-Matte
Multigrade
Neutral
100 Sheets
5 x 7" (12.7 x 17.8cm)
614752192571
My go-to paper, it's wonderful!
By Julius S.
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry nee...
View full Review
Take your photography to the next level with the Arista.EDU Ultra FB VC Fine Grain Paper. This high-quality, professional-grade paper is designed for black and white enlarging, offering a variable contrast for a range of grades similar to that of graded papers. The double weight, fiber base ensures durability and longevity, making it a reliable choice for photographers.
This versatile paper is compatible with both yellow and magenta colored filters, allowing you to select the desired contrast for your prints. It's available in both glossy and semi-matte surfaces, catering to a variety of aesthetic preferences.
The Arista.EDU Ultra FB VC Fine Grain Paper is designed for use with tungsten or tungsten quartz halogen light sources, although other light sources may yield different contrast values. The exposure of the paper is straightforward, depending on the filter system in use.
When it comes to handling and safelights, this paper should be opened only in a photographic darkroom illuminated by standard OC, red, or sodium vapor safelights. To prevent safelight fog, ensure that safelights are at least 3 feet from the paper at all times and limit exposure to safelights.
Processing the Arista.EDU Ultra FB VC Fine Grain Paper is simple and can be done in either trays or processing machines approved for photographic papers on a baryta base. The paper can be developed in any standard black and white photographic paper developer, with a general development time of 90 - 120 seconds at 68 Degree F/20 Degree C.
After development, a standard stop bath can be used to stop development immediately and extend fixer life. Fixed prints should be washed in running water for 35-45 minutes, and a standard hypo clearing agent or hypo eliminator can be used to shorten wash time and save water.
For storage, keep the paper in a cool, dry place. For prolonged storage, a freezer can be used. Always allow sufficient time for warming up and avoid condensation forming on the paper. Unused paper should be returned to its original packaging for storage.
Experience the difference in quality and versatility with the Arista.EDU Ultra FB VC Fine Grain Paper, a perfect choice for professional photographers and photography enthusiasts alike.