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Review Summary
2010-07-26T21:00:00
We purchased 4 of these cameras and have been happy ever since. They are used at our church for our weekly services. We also had the chance to use them to film short videos. They worked great. Clear picture, easy to operate, sound was amazing, and easy to transport them around. We are definitely pleased with our purchase.
WHCC
2010-04-27T21:00:00
I use the XL2 for documentaries; on a tripod or hand held. The shoulder mount provided by the XLR unit coupled, with the excellent Canon image stabilizer, make for steady hand held shooting. The controls for the XL's features are all on one side and outside of the camera; you don't have to go into the menu to use them. On the con side, the servo controlled focus and zoom rings take some getting used to.
Ed
2007-09-26T21:00:00
Easy to use. Three days out of the box and we were recording our first special event on the job. The 20x zoom lens worked out perfectly for our large event room. Was able to get clear closeups when needed without interfering with the speaker or the audience. Tied-in with our existing sound system via the XLR jacks.
Systems M.
2007-09-25T21:00:00
Is a very Good divice.
Guarapo
2007-09-12T21:00:00
Great camera the picture quality is great. The controls are very easy to find and use. the amount of audio controls and what you can do with it is increadble. the only probelm (if you could call it that) is the mic that it comes with has a tin sound to it. but it sounds great with a better mic.
2007-05-08T21:00:00
Excellent camera. Just what I was looking for.
vgraphix
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7.2V DC (battery pack)
7.1W (recording with AF, 20x zoom XL 5.4-108 L IS mounted)
EIA standard (525 lines, 60 fields) NTSC color signal
Two rotating heads, helical scan azimuth recording, DV System (Consumer digital VCR SD system) digital component recording
PCM digital recording: 16 bit (48 kHz/2 channels); 12 bit (32 kHz/4 channels) Synchronous 4-channel recording is possible
Size 1/3", approx. 680,000 pixels (total), Progressive Scan CCD x3 (charge-coupled device) with horizontal pixel shift
Video cassettes bearing the MiniDV mark
SP: 0.74 ips (18.81mm/second), LP; 0.49 ips (12.56 mm/seco
SP; 80 min.
LP; 120 min.
Approx. 2 minutes and 20 seconds (using 60-minute tape)
XL interchangeable lens system
TTL autofocus. Manual focusing possible (20x zoom XL 5.4-108mm L IS installed)
20mm (Wide macro), 1m (entire zoom range): (20x zoom XL 5.4-108mm L IS installed)
60i, 30p, 24p (2:3 & 2:3:3:2)
Approx. 5.5 lx (20x zoom XL 5.4-108mm L IS installed, auto mode, 60i frame rate,4:3 aspect ratio, 1/60th second shutter)
More than 100 lx
72mm (XL lens)
2.0-inch TFT color LCD; Approx. 200,000 pixels, RGB delta configuration
Stereo electric condenser microphone
16:9 target area: approx. 460,000 pixels (962 x 480) x3 CCD, 0.289" diagonal 4:3 target area: approx. 350,000 pixels (720 x 480) x3 CCD, 0.236" diagonal
4-pin connector (complies with IEEE1394); input/output switching
RCA pin jack; input/output switching/BNC jack; input/output switching 1 Vp-p/75 ohms unbalanced
Max. -10 dBv (for 47 kohm load)/3 kohm unbalanced
4-pin mini-DIN; input/output switching 1 Vp-p/75 ohms (Y signal), 0.286 Vp-p/75 ohms (C signal)
RCA pin jack (L/R) 2 systems; input/output switching
During input; Min. -10 dBv/47 kohms unbalanced
3.5mm stereo mini-jack unbalanced -55 dBv (Auto), -67 dBv (Manual/Vol Max)/600 ohms
32-104° F (0-40° C)
8.9 x 8.7 x 19.5 in. (225 x 220 x 496mm)
5.3 lbs. (2410g)
7.8 lbs. (3545g)
XF305 and XF300 record native 1920x1080 4:2:2 video
Worth the Money
By WHCC
We purchased 4 of these cameras and have been happy ever since. They are used at our church for our weekly services. We also had the chance to use them to film short videos. They worked great. Clear picture, easy to operate, sound was amazing, and easy to transport them around. We are definitely pleased with our purchase.
Professional features at modest cost
By Ed
I use the XL2 for documentaries; on a tripod or hand held. The shoulder mount provided by the XLR unit coupled, with the excellent Canon image stabilizer, make for steady hand held shooting. The controls for the XL's features are all on one side and outside of the camera; you don't have to go into the menu to use them. On the con side, the servo controlled focus and zoom rings take some getting used to.
Unsurpassed Image Quality... The Canon XL2. A powerful 20x professional fluorite lens. Access to a wealth of XL video lenses and to a world of Canon photographic lenses. A superior 3CCD progressive scan imaging system delivering outstanding picture quality, highly accurate color reproduction and a wide dynamic range. Selectable frame rates and independent manual controls to create your own cine look. Whatever you're shooting, from TV documentaries to Indies, the XL2 is ready.
16:9 Wide Aspect Ratio As the market shifts to home theatre systems that include widescreen TVs, demand is increasing for programs that deliver the full width of filmbased theatrical movies. Canon's XL2 delivers both the standard 4:3 aspect ratio for the common TV screen plus the popular 16:9 widescreen ratio.
Progressive Scan 3CCD System. The XL2 features a 3 CCD system with a separate progressive scan CCD (chargecoupled device) for each primary color red, green and blue). Each CCD contains 680,000 pixels. Together they deliver outstanding image quality, highly accurate color reproduction and a wide dynamic range.
The Canon XL2 Puts the control of your vision in your hands, where it belongs. You've got the power to manipulate the image just the way you want. Start with white balance, shutter speeds and aperture control. Create a cine look, with control of all the nuances, from gamma and knee to coring and hue. Adjust the setup level, skin detail and gain. The XL2 is designed to deliver creative image control when you want it, how you want it. The XL2: ready, willing and able.
With increasing emphasis placed on delivering the cine look to video, the XL2 offers you the ability to customize your video recordings using a number of variables, each one can be adjusted independently, giving precise control over the film-like appearence of your video.
Programmed Auto Exposure Modes provide automated, advanced recording settings for professional results in various shooting conditions. There are a variety of AE programs available: Auto, Shutter-Priority, Aperture- Priority, Full Manual, Spotlight, Low Light and Easy Recording.
Using AE Shift, you can add or subtract a bit of exposure, making slight adjustments to the image brightness to compensate for backlighting or for scenes that are being rendered slightly overexposed. With AE Lock, you can hold the exposure at a particular setting, preventing unplanned exposure changes with a moving subject, for instance.
The XL2 offers you Automatic White Balance (including a fully automated mode, an indoor mode and an outdoor mode), and manual white balancing. The camera also gives you the option of setting and saving up to three white balance presets that can be reused for non-sequential shooting.