Summer is peak shooting season, but it’s also been one of the busiest stretches of the year for new gear. Over the past few months, manufacturers have rolled out a ton of great gear. Everything from flagship full-frame cameras and versatile new lenses to portable lighting. Not to mention monitors and accessories designed to make shooting easier in the field. Add in a few notable software updates and photo competition results, and there’s been plenty to keep photographers and filmmakers paying attention. Here’s a look at what you may have missed.
Industry News Summer 2026 Camera Releases
The Leica SL3-P: High Resolution and High Speed
Released at the end of June, the new Leica SL3-P might be the company’s most advanced full-frame camera to date. Built on the same body design as the SL3 and SL3-S. The L-Mount SL3-P centers on a 44MP BSI CMOS sensor and is designed for both high-resolution stills and high-performance video. Key features include a 40fps continuous shooting mode and 4K video at up to 120fps. Additionally, 8K open-gate recording, a 176MP multi-shot mode, and a hybrid autofocus system that combines phase detection, depth mapping, and contrast detection.
Additional highlights include an ISO range of 50–200,000, and a 5.76-million-dot electronic viewfinder with 0.76x magnification. Also, a 3.2-inch 2.3-million-dot tilting touchscreen and video recording options up to 8K 30p, 4K 120p, and Full HD 120p.
For a candid, in-depth review, check out photographer Daniel Norton’s Adorama blog article, “The Leica SL3-P: Who Says a Workhorse Can’t be Beautiful?” As Norton writes, “This is meant to be an all-around pro camera with no compromise.” You can also watch the accompanying video below.
The Godox C100: A Fresh Take on the Compact Camera
Next, another late June release, this time from Godox. The brand is stepping into a new category with the Godox C100. This is a minimalist compact camera that swaps the traditional rear LCD for an innovative transparent viewfinder.
The transparent optical viewfinder offers more than 50 percent light transmittance. It overlays essentials such as shooting mode, aspect ratio, battery level, ISO, aperture, and shutter speed without obstructing your view. Its central 25 percent spot metering system is designed to deliver reliable exposures. You could also use it as a handheld light meter for film photographers.
The Godox C100 seems to be one of the summer’s more unconventional camera releases. It has distinctive cyber-retro styling, an ultra-lightweight build, and a screen-free shooting experience. This is clearly aimed at photographers looking to slow down and reconnect with the act of making photographs.
The Sony RX10 V: Here’s What Makes It Special
Sony’s newly released RX10 V stands out for a few reasons. For starters, it’s the first major update to the RX10 bridge camera lineup in nearly a decade.
Bridge cameras fill the gap between a basic point-and-shoot and an interchangeable lens camera. You get significantly more zoom reach and better image quality than a compact camera. All that, without the added cost or hassle of swapping lenses.
The RX10 V sticks with a proven formula that made its predecessor so popular. A built-in 24–600mm (full-frame equivalent) Zeiss Vario-Sonnar T* f/2.4–4.0 25x optical zoom lens. Like its predecessor, this super zoom is paired with a 20.1MP stacked 1-inch sensor. The biggest changes come elsewhere. A new image processor, a redesigned body, a tilting 3.69-million-dot electronic viewfinder, and AI-powered autofocus.
To see how it performs in the real world, Adorama’s own Seth Miranda put the RX10 V through its paces at both indoor and outdoor wrestling matches. As Seth puts it, it was “low light, fast movement, and unpredictable action, basically everything you’d want to throw at a camera to really test its autofocus and burst shooting.” Check out his results and hear his full impressions in the video below.
The Sony FX5 Cinema Camera
The Sony FX5 is a compact full-frame cinema camera. It is a great tool for filmmakers who need high-end performance in a lightweight package. At its core is a new 16.6MP full-frame stacked Exmor RS CMOS sensor. Combine that with a new BIONZ XR2 engine, making it capable of capturing sharp 5K footage with excellent color and impressive low-light performance.
New to the Cinema Line FX series is Open Gate 3:2 recording. Open Gate makes it easier to shoot once and deliver content in both horizontal and vertical formats. The FX5 records up to 5K at 60 fps, 4K at 120 fps, and Full HD at 240 fps for everything from cinematic productions to slow-motion action. The FX5 has more than 15 stops of dynamic range, Dual Gain, and three base ISO settings. Add to that 6-axis Dynamic Active image stabilization. This makes the FX5 equally at home shooting handheld documentaries, fast-paced events, or narrative films in challenging lighting conditions. The FX5 will keep rolling through even the longest production days with its rugged E-mount design and long-lasting battery.
Check out photographer and cinematographer Samuel Bourel’s hands-on review of the Sony FX5 on Adorama’s YouTube channel below. Expected availability is mid-August, but you can pre-order it on the Adorama site here.
Portable Package: Insta360’s Luna Ultra 8K Dual-Lens Gimbal Camera
The latest addition to Insta360’s lineup, the Luna Ultra 8K Dual-Lens Gimbal Camera, packs flagship-level imaging and stabilization into a highly portable package for creators on the move. Its ability to capture 8K video at up to 30 fps gives filmmakers, travel creators, and action shooters the detail and flexibility they need to edit and proof their content on the go.
Co-engineered with Leica, the Luna Ultra features dual Leica Summicron lenses: a wide-angle 20mm f/1.8 paired with a 1-inch CMOS sensor for hi-res videos and photos, and a 60mm f/2.0 lens with a 1/1.3” CMOS sensor for telephoto reach. The Luna’s integrated gimbal stabilization delivers smooth footage even when shooting handheld or during fast-paced shoots. Its detachable 2-inch OLED touchscreen makes it easy to review footage and change settings quickly, and the built-in microphone captures usable audio without additional accessories. It’s also got up to four hours of battery life, and a standard 1/4″-20 handle mounting point that makes it compatible with a large range of support systems.
The Fujifilm QuickSnap Celebrates Turning 40 with Two New Models
Fujifilm is celebrating 40 years of the QuickSnap with the mid-summer announcement of two new one-time-use models: the underwater QuickSnap Active, available this August, and the QuickSnap Black and White, available this September.
The waterproof Active model, which replaces the current model, is designed for underwater photography at depths of up to 33 feet and comes with ISO 800 color negative film, while the Black and White QuickSnap comes pre-loaded with a 27-shot roll of ISO 400 negative film and a built-in 32mm f/10 fixed focus lens, 1/140s shutter speed, and built-in flash.
The Lumix L10: Why It’s Different
The Panasonic Lumix L10, which began shipping in June, has a built-in Leica 24–75mm (equivalent) f/1.7–2.8 lens that encompasses everything from wide environmental shots to flattering portraits in a single package. If you shoot products, food, or close-up details, the 3cm macro mode and in-camera focus stacking are genuinely useful, saving you time in post while letting you create sharp images with impressive depth.
Its 20.4MP sensor is paired with a fast 779-point hybrid autofocus system, an OLED electronic viewfinder, and a fully articulating touchscreen. The leaf shutter allows flash sync up to 1/2000 second, while the dedicated aspect ratio switch lets you instantly switch between 4:3, 3:2, 16:9, and 1:1 without sacrificing the full sensor width. And if you’ve already developed a signature color grade, you can load your own .cube files for a live preview in-camera or create and manage looks through the Lumix Lab app with Magic LUT support.
Watch the video, “Why the LUMIX L10 is Different from Every Other Compact Camera” by Fernando Martinez, senior content producer at Adorama TV and Cinema, below.
Industry News Summer 2026 Lense Releases
The Perfect Marriage: Sony’s A7R IV and FE 100-400mm f/4.5 GM OSS
Filmmaker and photographer Sal D’Alia says this combo of the Sony A7R mirrorless camera and FE 100-400mm F4.5 G Master lens “really lives up to the hype.” It’s a perfect marriage of speed and resolution.
At its core is a fully stacked 66.8-megapixel sensor offering up to 16 stops of dynamic range, which is reportedly the highest resolution fully stacked sensor on the market right now. “Whether you’re shooting landscape, portraits or action, this camera can handle it,” says D’Alia.
He adds: “You get blackout-free 30 frames per second. We pre-capture using the electronic shutter, which is perfect for wildlife and sports. And we are talking 14-bit raw files with a buffer of around 150 raw images or 215 JPEGs all backed by super-fast autofocus and AI subject recognition.” The list of attributes goes on and on. Check out D’Alia’s full review on Adorama’s YouTube channel below.
Thypoch AF Voyager 24-50mm f/2.8 Full-Frame Lens
The Thypoch AF Voyager 24–50mm f/2.8 full-frame lens is the cine-lens brand’s first full-frame autofocus zoom lens, delivering prime-like sharpness throughout the zoom range. It also produces smooth, cinematic bokeh thanks to its 10-blade circular aperture.
The 432g lens is ultra-compact and has a travel-ready design complemented by an internal zoom mechanism that maintains a constant barrel length for improved balance and handling. Built to withstand demanding conditions, the lens features weather sealing to protect against dust, dirt, and splashes, while offering professional-grade image quality at a highly competitive price.
Check out the video below on Adorama’s YouTube channel by D’Alia as well. This time he shows viewers how the lens performs in a variety of situations, including fast-moving street scenes to moody rainy shots,
Tamron’s 17-70mm-A VC RXD Lens
Announced in June and currently shipping, the Tamron 17-70mm-A VC RXD lens (for Nikon Z and Canon RF) is a versatile standard zoom lens offering a useful full-frame 17-70mm focal length. Its constant f/2.8 aperture (especially significant because Canon and Nikon’s crop sensors have few 2.8 zoom options) provides excellent low-light performance, consistent exposure throughout the zoom range, and attractive background blur, making it well suited for portraits, landscapes, travel, and everyday photography.
Despite its broad zoom range, the lens remains compact and lightweight, making it easy to carry for everyday use. Features like close-focusing capability, moisture-resistant construction, a fluorine-coated front element, and a 9-blade circular aperture add to its versatility.
Industry News Summer 2026 Lighting Releases
The ARRI Omnibar
The ARRI Omnibar 44″ 50W RGBMA LED Tube is built for filmmakers and content creators who need a versatile, production-ready light that can handle just about any shooting scenario. It delivers excellent color accuracy, with CRI and TLCI ratings above 98, along with a huge color temperature range from an ultra-warm 1,700K to a cool 20,000K. RGBMA color mixing also opens the door to vibrant colors, subtle pastels, and creative lighting effects, while smooth 0–100% dimming can be controlled directly on the fixture, through the app, or via DMX and RDM for seamless integration into professional lighting setups.
Designed for both studio and location work, the Omnibar has a built-in battery that can run for up to 24 hours, making it easy to use where power isn’t available. Multiple mounting options, including 3/8″-16 threads and built-in magnets, make positioning quick and flexible, even for larger lighting rigs.
Creamsource Vortex2 15 x 8” 160W RRGBBW LED Light Panel
The Creamsource Vortex2 15×8″ 160W RRGBBW LED Light Panel packs a surprising amount of power into a compact 15 x 8-inch panel. Its 160W RRGBBW LED engine delivers rich, accurate color with CRI and TLCI ratings of 95, while an expansive 2,200K to 15,000K color temperature range makes it easy to match virtually any lighting environment or create bold, stylized looks.
Built for demanding productions, the Vortex2 features smooth 0-100% dimming, an IP65 weather-resistant design for indoor and outdoor shoots, and flexible wireless control via Bluetooth, Wi-Fi, and CRMX.
Industry News Summer 2026 Monitor Releases
BenQ’s New PD2732U 27-inch Monitor Promises Pro-Level Color
New from BenQ, the 27-inch, 4K IPS PD2732U monitor packs a lot of professional features into a surprisingly affordable unit. It covers 99 percent Adobe RGB, 99% DCI-P3, and 100 percent RGB, comes factory calibrated with Delta E < 2 accuracy, and uses BenQ’s AQCOLOR technology to deliver consistent, reliable color for photo editing, print work, and video projects.
Mac users get a few nice extras, including M-book Mode for better display matching, iDevice Color Sync, and the ability to control monitor settings with a Mac keyboard. You also get plenty of connectivity with HDMI 2.1, DisplayPort 1.4, dual Thunderbolt 4-compatible USB-C ports, and additional USB ports. It’s also a solid value for photographers and creators who want accurate color without spending over $1,000.
The Viltrox DC-550 Pro II 5.5-inch Full HD Touchscreen Monitor
In June, Viltrox announced the new DC-550 Pro II, a compact 5.5-inch camera monitor that builds upon the original DC-550 Pro and is perfect for filmmakers, videographers, and content creators who want a bright, durable display, advanced controls, and production-ready tools without the cost of a larger model.
Beyond the hardware, the DC-550 Pro II is packed with professional monitoring features that help creators capture more accurate results on set. It supports custom 3D LUTs with real-time preview, custom anamorphic de-squeeze, onion skin overlays for composition and motion comparison, and a full suite of exposure and color tools including waveform, histogram, vectorscope, parade, and more. Multiple power options, a built-in gyroscope with automatic screen rotation, and a quick-release sun hood round out a reliable monitor design.
Quick Industry News You May Have Missed
Adobe Acquires Topaz Labs
Adobe recently acquired AI company Topaz Labs, with plans to integrate its advanced AI technology into Adobe Firefly AI Studio, Firefly Services(creative and generative APIs), and the Adobe Creative Cloud suite, including Photoshop, Lightroom, Premiere Pro, and more. For more information about the acquisition and what it might mean for you, click here.
Capture One Now Supports Hasselblad Photos, with Capture One 16.8.3
The long-awaited partnership between Capture One and Hasselblad is finally here, bringing native support for Hasselblad medium-format RAW files (.3 FR) to Capture One starting with version 16.8.3.
Supported cameras include the Hasselblad the X2D 100C, the X2D II 100C, and the CFV 100 C digital back. The news is significant because it marks years of incompatibility between Capture One and Hasselblad. Read more here.
Hasselblad Masters 2026 Winners
Hasselblad recently announced the winners of its Hasselblad Masters 2026 competition, naming seven photographers from around the world whose work stood out for both technical excellence and creative vision. They are: Yudha Kusuma Putera, Kevin Boyle, Rohan Reilly, Panitbhand Paribatra Na Ayudhya (a 14-year-old from Thailand with a passion for underwater photography), Svetlana Jovanovic, Gosse Bouma, and Alfred Minnaar.
One of the photography industry’s most respected competitions, the Hasselblad Masters drew more than 108,000 image submissions from photographers across 160 countries and regions this year. Winners were selected in seven categories: Landscape, Architecture, Portrait, Art, Street, Wildlife, and Project//21. The Hasselblad Masters Grand Jury selected the winners, with public voting also factoring into the final results. Each winning image was chosen for its originality, creativity, conceptual strength, and technical execution.
View all the winning images here.
